Blackmagic Design has launched the Ursa Mini Pro 12K camera that retails for US$10,000
The company claims its the most advanced digital film camera with a new Super 35 12K sensor, new fifth generation colour science and improved Raw recording.
The Ursa Mini Pro 12K uses a 12,288x6480-pixel (17:9) Super 35 image sensor, with 14 stops of dynamic range and the ability to shoot at up to 60 FPS in 12K at 80 megapixels per frame.
The sensor is able to generate high detail 8K and 4K oversampled from 12K reproducing extraordinary detail of high-end still cameras.
It can also shoot at up to 110fps in 8K (and 4K without cropping) and up to 220fps in 4K with a Super 16 crop.
The camera comes with an interchangeable lens mount (for PL, EF and F mount), plus built-in ND filters, dual CFast and UHS-II SD card recorders, and a USB-C expansion port. In addition it has a native ISO of 800.
It offers 12-bit Raw workflows for 12K production, using a more efficient “next generation codec” Blackmagic Raw that should allow users to edit on a laptop, “a capability that simply isn’t possible with other codecs”.
Having such high resolution means users can easily reframe shots in post for delivery in 8K or 4K. “It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too.” Using Blackmagic Raw is promised to mean that users can work in any resolution in post instantly, without rendering, while retaining the full sensor’s colour accuracy.
Constant quality Q0 and Q5 options in Raw and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options (5:1, 8:1, 12:1 and the new 18:1) are designed to give the best possible images with predictable and consistent file size. Users can record Raw to two cards simultaneously, in 12K or 8K, to either CFast or UHS-II cards, even at high frame rates. Blackmagic Raw stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post.
Shooting Raw in 12K is claimed to preserve “the deepest control of detail, exposure and colour during post. Oversampling means customers get extremely sharp 8K without harsh edges,” while Blackmagic Raw is designed to accelerate 12K for post, making it “as easy to work with as standard HD or Ultra HD files”.
The latest Generation 5 Colour Science features a new film curve designed to make full use of all the colour data from the 12K sensor. This should deliver better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high contrast scenes. In Raw, the colour and dynamic range data from the sensor is preserved via metadata for use in post. It is also compatible with all previously shot Blackmagic Raw files, so that users can take advantage of the new film curve with existing work.
There are three options for recording 12K, which contains almost ten times the resolution of Ultra HD. Besides the dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port allows recording to fast SATA and NVMe drives (at up to 10Gbps). With ‘Record Raw on 2 Cards’ turned on, Ursa Mini Pro 12K can record simultaneously across two cards up to 900MBps (for CFast cards), or 500MBps to two UHS-II SD cards. The USB-C port can record to USB-C flash storage up to 900MBps.
Ursa Mini Pro includes a full version of DaVinci Resolve Studio for editing, colour correction, audio post and visual effects.
There is also a new Blackmagic Ursa Mini Recorder, which can record 12-bit Blackmagic Raw files onto fast 2.5in SSDs, including the latest U.2 NVMe Enterprise SSDs with data transfer speeds of up to 900MBps, which offers longer recording times for full resolution 4K, 8K and 12K 12-bit Raw files in the highest quality Q0 encoding.